Say, don’t you remember, they called me Al
It was Al all the time
Why don’t you remember, I’m your pal
Say buddy, can you spare a dime?
–E. Harburg, J. Gorney
West Philadelphia, Summer 2015
Advertised as “West Philly Old-Time Square Dancing,” the organizers can be congratulated on the success of their very first dance. Folks poured into the room ready to embark on a dance experience that was new to many of the participants. A bit of chaos to start, but everyone was in great spirits as the caller selected fun dances. The band played energetic music, folks laughing and smiling through their steps.
In the video, “heal an’ toe, heal an’ toe and slide . . . clap, swing . . . on to the next.” Great way to dance everyone in the room!
Next dance, February 26.
St. Mary’s Church, Hamilton Village
3916 Locust Walk
November 6, 2015
On this day, Philadelphia became the first city in the United States to be designated as a World Heritage City. Philly has joined 266 cities with this honor, including Paris, Florence, Prague and St. Petersburg. The City of Brotherly Love, so named by William Penn, who used the Greek words for love (phileo) and brother (adelphos), has earned its nickname: abolitionists, animal rights and Aids activism and origins of ACLU. Philadelphians are active protestors.
Philadelphia is a city of neighborhoods and each has their own charm. An exploration into any one of the city’s 18 districts, visitors can find ethnic food, bike paths, hiking trails, historical streets and buildings, entertainment facilities, parks, sport’s arenas, cultural events and eclectic shopping. The visitor will not have to travel far to find a mural to admire.
In celebration of this wonderful accomplishment of our city, I’ve posted my favorite photographs of our hometown.
Years ago, I rode the Market/Frankfort Elevated Line into the city for my summer job, when the General Electric Company occupied a building on Walnut Street and 30th Street. So I thought that this tour would remind me of that time, but the city had renovated all the stations, and some of the familiar sites along the route had disappeared. As I looked through my reflection in the window, I wondered about all the passengers stepping on and off the train. Where are they now? Much has happened over those years, and I never could have predicted that I would return to ride the el on The Love Letter Mural Tour. Is my camera out of focus or is it the distortion of tears, as these moments pass away as quickly as those many years. I look to the murals for inspiration.
Over 3,000 murals occupy places in the Philadelphia landscape. The mural program began in 1986 as a anti-graffiti initiative. I’ve written several posts that have referenced some of these murals: Art Imitating Life and Using Art to Create Scenes. A popular project in the mural series is Steve Powers’ A Love Letter For You. Fifty rooftop murals follow the Market Street corridor from 45th to 63rd Streets. In these love letters to his girlfriend, the artist expresses a tender reconciliation, while also showing his appreciation for his neighborhoods in West Philadelphia. In Powers’ own words,
Love Letter is “a letter for one, with meaning for all” and speaks to all residents who have loved and for those who long for a way to express that love to the world around them. He considers the project “my chance to put something on these rooftops that people would care about.”
The New York Times, the Wall Street Journal, and PBS have all featured stories on the Love Letter Tour.
The tour began at the Pennsylvania Academy of the Fine Arts, which is both a school and a museum, and describes its mission as, “promoting the transformative power of art and art making.” I felt as if I had crash landed there upon seeing this scene in the adjacent alley way, Lenfest Plaza.
Jordan Griska created this sculpture in 2011 from a Navy combat airplane; and as if finding a plane nose-dived into the sidewalk is not surprising enough, inside the cockpit a greenhouse supports a garden.
The museum was equally fascinating, with many interesting displays and exhibits, which was an added a bonus to the start of the tour.
We were fortunate to have as our guide, Harry Kyriakodis, a historian who has written several books on Philadelphia history including Philadelphia’s Lost Waterfront, Northern Liberties: The Story of a Philadelphia River Ward and The Benjamin Franklin Parkway. Harry is a founding member of the Association of Philadelphia Tour Guides.
Harry related the history of how and why the murals were created by Powers, who began his career as a graffiti artist and eventually earned a Fulbright scholarship. After handing each tour participant a token for their ride on the Market/Frankford line, we walked to the 15th Street el stop.
Ride with a View
Harry pointed out the murals as we sped through the Philly neighborhoods. We stopped at several of station platforms to study the paintings. One of the first murals we viewed was this one along the side of a brick building:
What makes these series of murals so compelling is that they arise from tattered rooftops, with crumbling chimneys, rotating vent fans, noisy air-conditioners and rusty gutters as companions. The contexts make the murals even more endearing, affirming that love can spring from the most mundane of locations. Despite these rooftop distractions, the messages are clear.
Powers and his team created the murals by painting directly on the walls without the protective cloth that is used on most of the city’s murals, which means that the paint is slowly fading. For now, these messages offer to the el riders the inspiration of love that reconciled and lasted. That’s all I needed to know.
The Philadelphia Photo League sponsored a walk, “Meandering with Mike, West Philly Edition,” and I welcomed this opportunity to add to my other West Philly posts:
Stepped off the trolley at 43rd Street, which intersects Clark Park, and on Saturday mornings the farmers’ market brings in fresh produce and other products into West Philly. I purchased a bar of lavender soap, which gave my bag a sweet fragrance every time I opened it.
We met our leader, Mike Klusek, and fellow photographers at the Green Line Cafe, a neighborhood coffee shop at 43rd and Baltimore Avenue. After bulking up with iced coffee before we began our walk on a very warm summer’s day, we strolled along Baltimore and Springfield Avenues into the Squirrel Hill section, just west of Clark Park.
The trolley line, constructed in the late 19th century, brought development to the area, and the three-story, two-unit, Queen Anne style Victorian homes characterized many of the neighborhoods. Architectural features, such as gables, dormers, oriels and porches, and painted decorations on the homes give each their unique character. A conical tent, covered with slate shingles, topped the towers and turrets. A photographer could spend a good deal of time taking pictures of the various elements. As an artist, I especially liked the various color schemes and flourishes above the doorways. No wonder these houses have been titled the painted ladies of American architecture.
We found other architectural styles. Along the street, a series of brick row homes sported a simpler style, and a magnificent stone building, called “The Castle” wrapped around the corner of Springfield and 46th Street.
The temperature climbed to 92 degrees, but a light breeze gave some relief from the heat. Trees shaded the sidewalks, and the colorful crepe myrtles bloomed their festive pinks and purples. Philadelphia calls itself “The City of Arborly Love” and provides a free tree to residents. Residents tend gardens along the front porches giving the passerby a visual delight of color.
Duet: Lauren Gigliotti and Lou Becht
The Squirrel Hill neighborhood is a jewel in the West Philadelphia crown. A visitor is treated to architecture that has survived over a hundred years requiring the residents to spend time and money on maintaining the ornate decorative flourishes on these grand Victorian homes and gardens. These efforts preserve the history of the neighborhood and the common good of the community, while giving the wandering photographer the chance to capture these moments.
This past June my sister and I biked along the trail that runs parallel to the Schuylkill River, and we returned on a warm October afternoon to head in the opposite direction and try out the new addition to the path, the Schuylkill Banks Boardwalk. Officials opened the new leg of the path just several weeks ago.
We bicycled past the view of Boathouse Row and around the back of the Philadelphia Art Museum and alongside of Waterworks before coming to the over-the-water extension. A viewing area above the walkway at Locust Street gave us a vantage point to take photographs up and down the river. On a Tuesday afternoon, there wasn’t much pedestrian traffic so the four-block ride to the end at the South Street Bridge in West Philadelphia took about ten minutes. Along the trail the boardwalk widens with benches so we could pause and view the cityscapes.
The walkway serves as a practical walking path from 30th Street Station to the Art Museum. Normally, I would take the subway from 30th Street and get off at 22nd Street, and then walk to the Art Museum. Now the walkway conveniently connects those locations while enjoying the beauty of the Schuylkill River.
No one can seem to recall if there has ever been an anarchist book fair in Philadelphia, but no matter, because on August 23, dozens of vendors and organizations came together at the Rotunda to offer a selection of literature for the discerning minds of progressive activists.
If you are new to anarchism, you might believe that anarchists are a bunch of bomb-throwing lunatics. Please park all your preconceptions at the door.
If anarchy is not about gratuitous violence, a view perpetuated to discount this group on the political fringe, then what is it? Yes, some have resorted to violence but no worse than violence brought on by “legitimate parties,” say, militarized police, for example. One group, anarcho-pacifists, completely reject the use of violence. Anarchy is a theoretical social state in which there is no governing body of persons, but everyone has absolute liberty. Thomas Jefferson, third President of the United States, was sometimes seen as a philosophical anarchist who believed that, “Rightful liberty is unobstructed action according to our will within limits drawn around us by the equal rights of others. I do not add ‘within the limits of the law’, because law is often but the tyrant’s will, and always so when it violates the rights of the individual.”
Anarcho-syndicalism best explains my political philosophy where workers’ solidarity, direct action and workers’ self-management form the basis for encouraging workers to free themselves from the hierarchical systems of bosses and managers. In the ideal economic system, workers control the means of production and manage all aspects of their company. Workers make decisions collectively. Today Noam Chomsky, intellectual, MIT professor and author of over 100 books, is one of the most famous anarcho-syndicalists. If you have ever felt that your boss or your company was ineffective, bullying or stingy with wages, you might just be an anarcho-syndicalist.
I stopped at most of the displays, buying a t-shirt from the Lehigh Valley I.W.W, another t-shirt from Bindlestiff Books and coffee from Red Emmas. Representatives from other organizations, such as Philly Antifa, NYC Anarchist Black Cross, Marcellus Shale Earth First! and the Wooden Shoe answered questions and suggested reading materials. Most booths gave out free materials.
Entrance to the fair was free and pizza and coffee provided, with donations accepted.
Speakers presented talks throughout the morning and afternoon. I attended a lecture by Jon Bekken, who is on the editorial collective staff of the Anarcho-Syndicalist Review, an independent syndicalist magazine published since 1986. Jon gave an informative overview of anarchist economics, fielding questions from the audience.
The video offers a few excerpts from that discussion.
The book fair organizers hoped to challenge preconceived notions of anarchism and “move toward a world based on freedom and mutual aid.” With the number of vendors, the great turnout from the community and the workshops and discussions, I would say the fair had been a resounding success. The fair closed early so that participants could attend a vigil in Clark Park for Mike Brown and the people of Ferguson, Missouri.