Humble Contributions to the Peoples' History

Archive for November, 2013

Walking the Benjamin Franklin Bridge: Uncovering a Bit of History

What is it that makes it so hard sometimes to determine whither we will walk? Thoreau

When the Amistad schooner sailed into Philadelphia in May of 2012, I signed up for one of their voyages on the Delaware River. The Amistad glided under the Benjamin Franklin Bridge, and from that perspective, I could view the massive steel superstructure and study the span across the river, stretching from Philadelphia to Camden. When workmen finished building the structure back in the 1920s, it was the longest suspension bridge in the world. 

With the bridge’s magnificent arch across the river still fresh in my memory, I now had the chance to walk up and over the bridge on the Architectural Walking Tour sponsored by the Preservation Alliance for Greater Philadelphia. What drew me to cross the bridge was more than a curiosity about the structure, but I didn’t realize my motive until I had finished the walk to the other side.

Under BFB

Stopping by the Constitution Center

Watercolor BF BridgeOn a bright September day, my sister and I walked down Market Street in Philadelphia toward the bridge, passing the Constitution Center. Having a few minutes, we stopped in at the Museum Shop. We browsed through the various sections, especially admiring their collection of t-shirts. In the book section, I found a diary book with a watercolor of the bridge on the cover. After our brief visit to the shop, we headed back on Market Street and made our way to 4th Street.

Bridge’s History Retold

Our tour began in the Philly Olde City neighborhood, in front of two historic churches, St. George, the oldest Methodist Church in the US and St Augustine, a Catholic Church once burned to the ground to punish the immigrant Irish for having the audacity to settle in the area. In 1922 the first draft of the construction suggested that the bridge go right through St. George; but the congregation protested, and architects made an adjustment, with a 14-foot leeway that preserved St. George. Each church had to accommodate to the bridge by constructing walls, one floor below the original structure, lowering their doors, so that 4th Street could go under the bridge.

BFB Garden View

Garden at St. Augustine, looking across to St. George Church and the Bridge to the right.

Walkway along the Sky

Our guide led us up a side street to the pedestrian walkway that runs along the East side of the bridge. As the tour group started to walk up the inclined sidewalk, we could see the hubbub of activity on the side streets below and point out landmarks, such as the steeple of Christ Church. Art deco lanterns lined up on the railings that followed the sidewalk.

Granite Station

Bridge Station Never Used

As we approached the first granite anchorage, originally constructed as a trolley station, cars along Route 95 sped by underneath. The highway ribbons along the Delaware and stands as a central feature in the landscape from that view-point. Christopher Columbus Boulevard shadows the superhighway, and one lone building, municipal Pier Number 9, is reminiscent of the days when the Philadelphia port had been a major thoroughfare of commerce, with wharfs and docks lining the Delaware port. The twentieth century saw much of the historic riverfront razed. Condominiums now occupy spaces along the river as well as Penn’s Landing, Seaport Museum and The Olympia, the world‘s oldest steel ship still afloat. 

Panorama BFB road river

A grand landscape stretched before us. I looked back on the city, and noticed how the steel cables, extending up the 380 foot towers, framed the walkway. Even though built 80 years ago, the bridge is a marvel of invention and esthetic wonder.

BFB Looking Down City

Study in Blue

From the top of the bridge, we gazed down the river on the New Jersey side to the Adventure Aquarium and Penn Treaty Park and then more distant landmarks, the Battleship New Jersey and the Betsy Ross Bridge. We watched the boat traffic, everything from a schooner, passenger ferry, container ship, motorboats and tugs.

BFB River Boat

A schooner sailed alongside the working boats of the river.

BFB Sailboat

Walking toward Camden, we focused on the city’s waterfront where neat-looking parking lots were surrounded by green spaces with trees and landscaping. The baseball field and stadium, home of the Camden Riversharks minor league baseball team, sported an attractive brick exterior and the look of yesteryear with peaked roof lines. A game was just getting underway as we walked by.

Campbell's Field

Campbell’s Field

Looking for the Dog on Top of the Building

IMG_4579When we were children, our family would drive over the Ben Franklin Bridge to vacation at the Jersey Shore, and I remember we would look out the car window searching for the dog on top of “Dad’s building” where he worked. The puppy sitting in front of the gramophone was the famous RCA, or Radio Corporation of America, trademark, and the image appeared on all of their records. The Nipper Building, the nickname for what was once labeled as Building 17 of RCA’s Camden Plant, was built during the second decade of the twentieth century to house the Victrola cabinet factory. In 1916 the company installed on the tower four stained glass windows depicting the dog and gramophone. The RCA Corporation bought the building in 1929, using the Victrola names and logos on their own line of products into the 1970s.

My Father’s Commute

For over 25 years my father commuted from the Western suburbs of Philadelphia by way the Media trolley, the Market Street El, and the PATCO High-speed Line, which crosses the bridge, to his workplace at the Camden plant, just a few blocks from the bridge exit. RCA was an electronics company and one of the leaders of television technology from the 1930s and right into the next three decades. The plant manufactured broadcast equipment as well as television sets. The engineers at the Camden plant were responsible for building the first radio transmission from the moon of Neil Armstrong’s famous line, “One small step.”

John Malinoski RCA

I wished that I could go back in time and ask Dad to take pictures of the bridge, plant and river because the area looked entirely different back then as factories, smokestacks, utility buildings and railroad lines occupied the landscape. For over two decades Dad worked for RCA as an electronic engineer, and I have only one picture that documents his work at the plant.

Our family didn’t realize the larger implications of my father’s transfer from Camden to Massachusetts in 1968. RCA began to reduce and sell off most of their broadcast products, finally going out of business in 1986. Buildings along the waterfront area were torn down as the area became abandoned and neglected. Building 17 also fell into disrepair and almost met with the wrecking ball, saved in 2001, when the New Jersey Economic Authority awarded a grant to preserve the structure.

RCA Building

The Nipper Building is now listed on the National Register of Historic Places. I don’t believe my father ever suspected that someday, the well-worn factory where he worked, would be considered a national treasure, but my sister and I always thought there was something special about that dog atop the tower. Forty years later, the iconic image guards the memory of my father and thousands other workers, whose electronic inventions pioneered broadcasting technologies.

The bridge had guided me back through our family history that I had almost forgot.

Nipper

Links of Interest

Historic Camden County
RCA TV Equipment Section of the Broadcast Archive
Eyes of a Generation
Eight Blocks in Camden that Made History

Transformation of Clay

How a Heap of Mud Becomes Something

I’ve been away from sculpting for a while, but now with a few new ideas, its time to get back to carving clay. I enrolled in a class at the Community Arts Center with Bob Deane, potter extraordinaire.

Down the Rabbit Hole

White Rabbit, Wikipedia

White Rabbit, Wikipedia

A tree in my front yard became the inspiration for a whimsical addition: the door to the rabbit hole in Alice in Wonderland, the novel written by Lewis Carroll in 1865. In Chapter One of the book, the story introduces us to the rabbit wearing the iconic waistcoat and carrying a pocket watch. The rabbit’s classic line, “Oh dear! Oh dear! I shall be too late!” reminds us of the ever-present passing of time and the immediate responsibilities we carry.

The project began with buying a 25-pound bag of sculpting clay. The clay is soft and malleable, perfect for making objects; but for creating walls for the rabbit hole and door, I needed to create slabs that would harden so that they could stand and then be attached together. That process included rolling the clay into flat pieces and allowing them to dry either by putting them under a heat lamp or letting them dry out over time. Once the slabs were solid but not completely dry, I could attach the pieces by using a paste of clay and water after roughing up the surfaces. Before attaching the pieces, I carved out the door so that it would lay flat allowing me to add the details including the hinges and door handle.

The rabbit began as a two wads of clay, one for the body and the other the head. Once I figured the right sizes, I roughly hollowed out the two, and adding feet and arms. I attached the two pieces, and added extra clay to form the waistcoat. Creating a chain for the watch is almost impossible in clay, so I’m going to use a metal chain, which I will attach when the rabbit is finished. I made openings for the chain, making sure that with a 23% shrinkage, the chain would still fit through the opening. With the clay at the right consistency, I carved out the details. I used three or four pictures as guides.

Slides reveal the transformation from slabs of clay to whimsical art for the yard . . .  with help a little help from my friends, with Jean, assisting with the painting, and Bob, who advised on the glazing technique.

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Terrarium Centerpiece

Fairy House in GardenFor the next project, I carved a “wee house,” inspiration coming from Pinterest, pages which display every kind of fairy house imaginable. Years ago, I had  carved a few houses for my garden and enjoyed the project.

This house required a great deal of measuring for all the pieces to come together. Not all parts, especially the windows, are perfectly square. With clay, it is easy to add a bit here and there to make the pieces line up. I gained a new-found respect for carpenters, knowing that they could not do as much fudging with wood as I did with clay. The most difficult part was getting the roof to align with each side, especially the tall center window. Eventually, I would like to create a terrarium around the house.

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Imagine, Make It So: Following my Own Advice

My last project was more abstract and larger than the other two. At one point attempting to close it up at the top, I thought I might have inadvertently caused the entire piece of fall to pieces. I quickly added extra clay on the inside to support the structure. I applied Bobby’s white glaze and sent it to the gas kiln. A little Jon Luke Pickard and a little John Lennon were the inspiring forces to this project, which will find its way into the garden.

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Evolution of a Mural at Swarthmore College

The Artist: David “Dee” Craig

IMG_5192Early in the Fall semester, Lee Smithy, Associate Professor of Sociology Peace and Conflict Studies Program, announced that David “Dee” Craig, a mural artist from Belfast, Northern Ireland, had been granted a residency by the Tri-College Creative Residencies Program.

Dee  was raised in a working class community of Belfast, and those experiences focused his art. “Fear, pain and solitude; the discrepancies and gap between the rich and poor are also emotions which Dee aims to portray.” Dee has completed art projects in his neighborhoods in Belfast, working with the Ulster Museum, and outside of Northern Ireland, including the US, Israel and Spain.

This description of his artistic style explains Dee’s approach to his work.

He uses bold hard lines to represent the strength and steadfastness that working class people ooze, while at the same time using dark colours drawn from thoughts and feelings to portray a somewhat lack of aspiration imbedded in the set in stone belief some view as ‘imprisonment’ in a level or class of life. Brighter colours are also used to represent how we can over come these obstacles to strive forward in life and adapt in a more modern society.  About Dee

As part of the residency, the College commissioned Dee to paint a mural on campus, and Lee invited community members to take part in planning meetings to discuss the theme and content of the mural. During these meetings faculty, staff and students brainstormed ideas. Lee sent the notes and suggestions to Dee. Within a few weeks, Dee sent preliminary sketches back to Lee so that we could offer feedback.

Collage Project in Kohlberg Hall

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At the first residency event, Dee and Paul Downie, mural artist who has been consultant and instructor for the Philadelphia Mural Arts Program and Director of the Community Arts Center in Wallingford, installed a mural in the Sociology and Anthropology wing of Kohlberg Hall. The artists composed a collage of colorful designs on a wall facing the windows overlooking Parrish Hall. What was once a rather bland entrance to the second floor, now featured a masterpiece of color.

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Opening Exhibit & Discussion

IMG_5151

On October 24, an exhibit in McCabe Library Atrium opened: “Murals, Memory and Transformations: The Mural Art of David “Dee” Craig in Northern Ireland. Lee interviewed Dee, followed by a question and answer session with the audience.

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Meanwhile, college staff erected a tent to serve as the studio, and in addition, assembled scaffolding along the wall.

Mural Unfolds

Over the next several weeks, Dee painted the various sections of the mural. At the early stages the brilliant colors against the white canvas were striking. I could see the beginnings of an inspiring piece. In the slides below, the mural progresses from the first sketches to the installation on the wall.

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November 18, 2013

Final Mural Resize

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Links

Northern Ireland Mural Artist Begins Creative Residency at Swarthmore College

Troubled Walls


					

Disastrous Financial Priorities and a Community Mourns

School Nurses Forewarn the District

Outside the Philadelphia School headquarters, on a cold January day in 2012, a gathering of school nurses, bundled up against the chilling wind, protested the district’s laying off nurses. The nurses, calling themselves the Occupy 440 movement, continued the protest for five months, assembling every Wednesday at 440 Board Street. The district cut over 100 school nurse jobs in the 2011-12 school year, and other staff reductions left schools at the state minimum of one nurse per 1,500 students. According to The Notebook, “Nurses warned that the District was potentially endangering children by failing to have trained medical staff in buildings most of the time.”

Betsey Piette carries poster Picture of Laporshia.

Betsey Piette carries picture of Laporshia.

Vigil for Laporshia

Samir Robinson from Musicopia plays for the Vigil

Samir Robinson from Musicopia plays through the Mist

Just 17 months later, the nurses organized a candlelight vigil for Laporshia Massey, who arrived home from her school, Bryant Elementary, suffering from an asthma attack and dying later that evening at Children’s Hospital. Laporshia fell ill during school the day, reportedly complaining of difficulty breathing. At that time, no nurse had been on duty at the school.

Father, Nurses, Youth

Laporshia’s father, Daniel Burch (holding umbrella) stands with school nurses, who organized the vigil.

Austerity Cuts Deep

Pennsylvania Governor Corbett and the Republican-controlled legislature have imposed substantial education cuts throughout the state, causing the School District of Philadelphia to fall into a deep financial crisis. The Governor failed to release $45 million of federal funding earmarked for Philadelphia schools. While evoking the concept of “shared sacrifice” to justify cuts in education, in contrast, the legislature passed a corporate tax cut that would cost the state $600-800 million per year, more than double Philadelphia schools’ deficit for the next fiscal year. In addition, the district carries an enormous debt. According to City Paper,

The district spends more than ten times the national average serving its debt, with an astonishing $280 million—12 percent of its entire budget—going to interest payments and $161 million going to Wall Street firms in what have been called “toxic” interest rate swaps, under criticism in other cities for unjustly robbing schools of resources.

Girl With Candle CRChildren’s Health at Risk

When authorities cut school nurses from budgets, children who have health problems may not receive proper treatment while at school. Children on medications may have to rely on untrained staff to assist them. Children with epilepsy, ADHD, diabetes, food allergies and asthma are particularly at risk. The question arises is who is responsible for schools’ record keeping on each child’s health concerns if no nurse is present to evaluate a student who becomes ill during the school day. AFT President Randi Weingarten wrote in an open letter to Pennsylvania Governor Corbett that one in five students in Philadelphia have asthma, and that “parents and educators—would sleep easier knowing their children’s schools had enough school nurses, guidance counselors, safety personnel and support staff so that a tragedy like this would not befall another child.”

Ironically, a day before the candlelight vigil for Laporshia, the district learned that Philadelphia will receive the $45 million in federal funds that Corbett had been withholding. A spokesman for Corbett stated that the release of the funds and Laporshia’s death were not connected. Philadelphia school superintendent, William Hite, stated he did not plan to rehire any nurses because the district has “met the state’s caseload standard.” Are parents left wondering whether there will be another time the school nurses will be holding candles outside the 440 Building?

Candle

An Empty Desk

Bryand ES Final

Bryant Elementary School is located at the corners of Cedar Avenue and 60th Street in West Philadelphia. Playground equipment stands securely on one corner of the school lot, and along the walls of the brick building, colorful murals illustrate scenes of children swinging, dancing and jumping rope.

While economists, bureaucrats and government officials argue the merits austerity measures, one mural might be different now.

Links

Her Name is Laporshia Massey and Our Hearts are Breaking

Justice for Laporshia Massey Update

Vigil for Laporshia Massey – Victim of Philly Schools Budget Cuts

The Great Austerity Shell Game

Sick Days: The Philadelphia School Nurse Shortage

Living History: Day in the Life of the Soldiers of the Civil War

On a visit to Wilmington  & Western Line, a steam train that runs through the Red Clay Valley in Delaware, I just happened to have the good luck that Civil War living history reenactors were staging a battle and takeover of the train on that day. I recorded the dramatic action of the battle in video in this post: Steam Train Journeys into History: Civil War Skirmish at Red Clay Creek.

CW Cannon L Antique

This video highlights Living History: Day in the Life of the Soldiers of the Civil War, when Company A, 37th Regiment, North Carolina Volunteer Troops, C.S.A., 1st North Carolina Artillery, Battery C, C.S.A., and the Town of Rising Sun, Maryland, hosted the 21st Annual Reenactment.

I strolled by the rows of canvas tents, the Union on one side of the creek and Confederates on the other, as wood crackled in the campfires and coffee brewed in tall metal pots. Reenactors portrayed surgeons, tradesmen, as well as soldiers. Even children dressed up in period clothing. The sound of a blacksmith hammering echoed through the park. I spoke with reenactors, who shared their knowledge on weapons, lanterns, desks and tent contents, everything authentic to the time period.

At midday the gray and blue soldiers faced off in a skirmish. The Union held the high ground while the Confederate soldiers crossed the bridge and positioned their cannon on the field. Soldiers on both sides fired their cannons as thunderous blasts echoed through the landscape, smoke drifting over the hills. As men fell, a field doctor bandaged up the wounded. A crowd of spectators sitting on the hill watched intently as the action unfolded just yards away.

LanternLate in the evening, as music of Kadence spilled into the cool night air, I wandered around the grounds in the light of the campfires and lanterns, softly illuminating the tents. Reflecting on the gentleness of the night and the harshness of the daytime battle, I considered the issues of preserving the Union, regional loyalty, justification for war and the abolition of slavery, which remains the greatest arbitrator in the ethical debate. Has the country evolved into a compassionate and empathetic to the plight of both sides?  I see these reenactments as an opportunity to ponder these issues.


Participants:

Confederate
1st Regiment, Maryland Infantry, Company 1
5th Regiment, Virginia Volunteer Infantry
Union
42nd Regiment, Pennsylvania Volunteer Infantry, Company B
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Square Frame John
Many thanks to John and all the Reenactors.

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Other links to Civil War posts:

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